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A particular favorite of mine, this film takes Rimbaud’s words one step further into the arena of “inane refrains and artless rhythms.” I used a Bolex with an extreme macro lens to flip and roam through the pages of Chinatown pamphlets, Victorian erotic novels, and American pulp fiction, zooming in on lines and phrases and grasping at the truth that the pages can talk and that the words have their own independent lives. The Stravinsky soundtrack sets the pace for this restless proto-literary journey. I also used a shadow puppet for the first time, a year before None Saved. - P. V. Z.Read moreLess
A particular favorite of mine, this film takes Rimbaud’s words one step further into the arena of “inane refrains and artless rhythms.” I used a Bolex with an extreme macro lens to flip and roam through the pages of Chinatown pamphlets, Victorian erotic novels, and American pulp fiction, zooming in on lines and phrases and grasping at the truth that the pages can talk and that the words have their own independent lives. The Stravinsky soundtrack sets the pace for this restless proto-literary journey. I also used a shadow puppet for the first time, a year before None Saved. - P. V. Z.
The story
A particular favorite of mine, this film takes Rimbaud’s words one step further into the arena of “inane refrains and artless rhythms.” I used a Bolex with an extreme macro lens to flip and roam through the pages of Chinatown pamphlets, Victorian erotic novels, and American pulp fiction, zooming in on lines and phrases and grasping at the truth that the pages can talk and that the words have their own independent lives. The Stravinsky soundtrack sets the pace for this restless proto-literary journey. I also used a shadow puppet for the first time, a year before None Saved. - P. V. Z.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Peter von Ziegesar
- Editor
- Peter von Ziegesar