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Bolivia after Chen begins in medias res, with a long shot filmed atop a truck traveling up the Bolivian mountains to transport tin miners. It is a place where union organizing is prohibited, and where women and men, sometimes even children, can work up to 24 hours a day. This was the situation in the mines until the fall of 1969, when a socialist military coup shook the country. The question of whether the situation would really change is what Lindqvist explores in his film.Read moreLess
Bolivia after Chen begins in medias res, with a long shot filmed atop a truck traveling up the Bolivian mountains to transport tin miners. It is a place where union organizing is prohibited, and where women and men, sometimes even children, can work up to 24 hours a day. This was the situation in the mines until the fall of 1969, when a socialist military coup shook the country. The question of whether the situation would really change is what Lindqvist explores in his film.
The story
Bolivia after Chen begins in medias res, with a long shot filmed atop a truck traveling up the Bolivian mountains to transport tin miners. It is a place where union organizing is prohibited, and where women and men, sometimes even children, can work up to 24 hours a day. This was the situation in the mines until the fall of 1969, when a socialist military coup shook the country. The question of whether the situation would really change is what Lindqvist explores in his film.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Jan Lindkvist