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Documentation of Osaka Expo '70 poster

Documentation of Osaka Expo '70

Film197012 min

Directed by Ko Nakajima

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The document, which splices together footage from both Osaka and Montreal, offers a rare comparative insight into the two events. It is believed to have been part of a longer documentary made in collaboration with Masuo Ogawa. These "world’s fairs" were colossal events featuring displays from countries and corporations around the world, providing a testing ground for technologies from IMAX screens to security systems. Despite a culture of ambivalence and resistance surrounding Expo ’70, due to its depoliticized celebration of “progress and harmony for mankind” in the era of U.S.-sponsored conflicts in Asia, the pavilions were often run in collaboration with artists.Read moreLess

The document, which splices together footage from both Osaka and Montreal, offers a rare comparative insight into the two events. It is believed to have been part of a longer documentary made in collaboration with Masuo Ogawa. These "world’s fairs" were colossal events featuring displays from countries and corporations around the world, providing a testing ground for technologies from IMAX screens to security systems. Despite a culture of ambivalence and resistance surrounding Expo ’70, due to its depoliticized celebration of “progress and harmony for mankind” in the era of U.S.-sponsored conflicts in Asia, the pavilions were often run in collaboration with artists.

The story

The document, which splices together footage from both Osaka and Montreal, offers a rare comparative insight into the two events. It is believed to have been part of a longer documentary made in collaboration with Masuo Ogawa. These "world’s fairs" were colossal events featuring displays from countries and corporations around the world, providing a testing ground for technologies from IMAX screens to security systems. Despite a culture of ambivalence and resistance surrounding Expo ’70, due to its depoliticized celebration of “progress and harmony for mankind” in the era of U.S.-sponsored conflicts in Asia, the pavilions were often run in collaboration with artists.

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Director
Ko Nakajima