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Selfie

Film

Directed by Victoria Singh-Thompson

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Back in 2013 Frances Ha brought black and white back. Six years later we get Little Women in colour, but not everyone is read to update (The Lighthouse). Taking Greta G's vulnerability and awkwardness up a floor to Sydney townhouse balcony level is Vicky T who asks us: can you relate? While everything else starts looking like Uncut Gems (Scorsese). Victoria is making Poetry. Pen15 showed us age is irrelevant when you're playing ourself; VST exposes her young self on screen and boldly says 'the wig can come off. People won't tell you this but being angsty is beautiful.Read moreLess

Back in 2013 Frances Ha brought black and white back. Six years later we get Little Women in colour, but not everyone is read to update (The Lighthouse). Taking Greta G's vulnerability and awkwardness up a floor to Sydney townhouse balcony level is Vicky T who asks us: can you relate? While everything else starts looking like Uncut Gems (Scorsese). Victoria is making Poetry. Pen15 showed us age is irrelevant when you're playing ourself; VST exposes her young self on screen and boldly says 'the wig can come off. People won't tell you this but being angsty is beautiful.

The story

Back in 2013 Frances Ha brought black and white back. Six years later we get Little Women in colour, but not everyone is read to update (The Lighthouse). Taking Greta G's vulnerability and awkwardness up a floor to Sydney townhouse balcony level is Vicky T who asks us: can you relate? While everything else starts looking like Uncut Gems (Scorsese). Victoria is making Poetry. Pen15 showed us age is irrelevant when you're playing ourself; VST exposes her young self on screen and boldly says 'the wig can come off. People won't tell you this but being angsty is beautiful.

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