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Aphotia poster

Aphotia

Film20236 min

Directed by Emilija Škarnulytė

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The title of the work derives from the term ‘aphotic zone’, also known as the ‘dark ocean’ – the depths of the ocean that are inaccessible to sunlight. In the summer of 2022, Škarnulytė premiered a video work by the same title for an exhibition in Venice. The one-off performance Aphotia at LNOBT personifies the term, combining aspects of nature, deity, human and animal, and providing a metaphorical seedbed for promiscuous forms of being to flourish. The theme at the heart of the performance – invisible worlds (depths of water and of (sub)consciousness) – continues the artist’s enduring field of interest while closely overlapping with the Biennial’s central topic of the city, seen from the perspective of a speculative future, in the face of climate change and rising water levels.Read moreLess

The title of the work derives from the term ‘aphotic zone’, also known as the ‘dark ocean’ – the depths of the ocean that are inaccessible to sunlight. In the summer of 2022, Škarnulytė premiered a video work by the same title for an exhibition in Venice. The one-off performance Aphotia at LNOBT personifies the term, combining aspects of nature, deity, human and animal, and providing a metaphorical seedbed for promiscuous forms of being to flourish. The theme at the heart of the performance – invisible worlds (depths of water and of (sub)consciousness) – continues the artist’s enduring field of interest while closely overlapping with the Biennial’s central topic of the city, seen from the perspective of a speculative future, in the face of climate change and rising water levels.

The story

The title of the work derives from the term ‘aphotic zone’, also known as the ‘dark ocean’ – the depths of the ocean that are inaccessible to sunlight. In the summer of 2022, Škarnulytė premiered a video work by the same title for an exhibition in Venice. The one-off performance Aphotia at LNOBT personifies the term, combining aspects of nature, deity, human and animal, and providing a metaphorical seedbed for promiscuous forms of being to flourish. The theme at the heart of the performance – invisible worlds (depths of water and of (sub)consciousness) – continues the artist’s enduring field of interest while closely overlapping with the Biennial’s central topic of the city, seen from the perspective of a speculative future, in the face of climate change and rising water levels.

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