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Public Figure

Film10 min

Directed by Mădălina Zaharia

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‘Do I dance how you expect?’ The body of a poet is tracked in four connected domestic locations, corresponding to four poems: ‘Song of Jack’, ‘The Making of Him’, ‘My Orange Dance’ and ‘Opinion.’ This film is the result of a collaboration between two friends, poet-performer Ryan Ormonde and artist-filmmaker Madalina Zaharia, based on Madalina's observations of Ryan's poetic process. Through this exchange, the poet and the onlooker are collectively staging a particular sense of ‘publicness’, a certain type of relationship that relies heavily on the tension between the body and the voice, and has its source in practices of embodied poetry and writing. What is it to present yourself in a poem as well as on screen? The filmed body is captured at odds with the disembodied voice in voice-over. Moments of lip-synch simultaneously bridge and expose the schism. Queerness is delineated through its oppositions. Oranges will fall.Read moreLess

‘Do I dance how you expect?’ The body of a poet is tracked in four connected domestic locations, corresponding to four poems: ‘Song of Jack’, ‘The Making of Him’, ‘My Orange Dance’ and ‘Opinion.’ This film is the result of a collaboration between two friends, poet-performer Ryan Ormonde and artist-filmmaker Madalina Zaharia, based on Madalina's observations of Ryan's poetic process. Through this exchange, the poet and the onlooker are collectively staging a particular sense of ‘publicness’, a certain type of relationship that relies heavily on the tension between the body and the voice, and has its source in practices of embodied poetry and writing. What is it to present yourself in a poem as well as on screen? The filmed body is captured at odds with the disembodied voice in voice-over. Moments of lip-synch simultaneously bridge and expose the schism. Queerness is delineated through its oppositions. Oranges will fall.

The story

‘Do I dance how you expect?’ The body of a poet is tracked in four connected domestic locations, corresponding to four poems: ‘Song of Jack’, ‘The Making of Him’, ‘My Orange Dance’ and ‘Opinion.’ This film is the result of a collaboration between two friends, poet-performer Ryan Ormonde and artist-filmmaker Madalina Zaharia, based on Madalina's observations of Ryan's poetic process. Through this exchange, the poet and the onlooker are collectively staging a particular sense of ‘publicness’, a certain type of relationship that relies heavily on the tension between the body and the voice, and has its source in practices of embodied poetry and writing. What is it to present yourself in a poem as well as on screen? The filmed body is captured at odds with the disembodied voice in voice-over. Moments of lip-synch simultaneously bridge and expose the schism. Queerness is delineated through its oppositions. Oranges will fall.

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