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Love itself is more important than the object that inspires it, writes one woman to another. The one is Rosa Luxemburg, interned as a political prisoner in Breslau, the other Rosa Liebknecht. In Astrid Johanna Ofner’s poetic film essay with shots of Berlin and Vienna, the letters from 1917–1918, shortly before Luxemburg’s murder, become a melancholic flow of love, comfort, and hope. An enchantingly beautiful film.Read moreLess
Love itself is more important than the object that inspires it, writes one woman to another. The one is Rosa Luxemburg, interned as a political prisoner in Breslau, the other Rosa Liebknecht. In Astrid Johanna Ofner’s poetic film essay with shots of Berlin and Vienna, the letters from 1917–1918, shortly before Luxemburg’s murder, become a melancholic flow of love, comfort, and hope. An enchantingly beautiful film.
The story
Love itself is more important than the object that inspires it, writes one woman to another. The one is Rosa Luxemburg, interned as a political prisoner in Breslau, the other Rosa Liebknecht. In Astrid Johanna Ofner’s poetic film essay with shots of Berlin and Vienna, the letters from 1917–1918, shortly before Luxemburg’s murder, become a melancholic flow of love, comfort, and hope. An enchantingly beautiful film.
Cast & crew
Explore the crew
- Director
- Astrid Ofner
- Writer
- Astrid Ofner
- Editor
- David Pujadas Bosch
- Producer
- Simon Rabeder
- Producer
- David Rabeder