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A full life, I suppose. poster

A full life, I suppose.

Film202425 min

Directed by Alexandros Pissourios

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What are we making a portrait of when we make a portrait? What does the filmmaker wants his subject for? What does he use his subject as a way of talking about and what does he use his subject to avoid talking about? A diachronic portrait of the filmmakers' mother and an exploration of the home, composed with family archives and new footage. The film brings about the pleasures and misgivings of moving through a life, reflecting upon cultural specificity of the 70's in Cyprus Preliminary non-fictional in its approach, the film moves through biographical to lyrical. A marriage of images, language, and affects, with a sensibility for light and dark, gives rise to domesticity and the human content of objects in an interplay between filmmaker, mother and the elasticity of time.Read moreLess

What are we making a portrait of when we make a portrait? What does the filmmaker wants his subject for? What does he use his subject as a way of talking about and what does he use his subject to avoid talking about? A diachronic portrait of the filmmakers' mother and an exploration of the home, composed with family archives and new footage. The film brings about the pleasures and misgivings of moving through a life, reflecting upon cultural specificity of the 70's in Cyprus Preliminary non-fictional in its approach, the film moves through biographical to lyrical. A marriage of images, language, and affects, with a sensibility for light and dark, gives rise to domesticity and the human content of objects in an interplay between filmmaker, mother and the elasticity of time.

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What are we making a portrait of when we make a portrait? What does the filmmaker wants his subject for? What does he use his subject as a way of talking about and what does he use his subject to avoid talking about? A diachronic portrait of the filmmakers' mother and an exploration of the home, composed with family archives and new footage. The film brings about the pleasures and misgivings of moving through a life, reflecting upon cultural specificity of the 70's in Cyprus Preliminary non-fictional in its approach, the film moves through biographical to lyrical. A marriage of images, language, and affects, with a sensibility for light and dark, gives rise to domesticity and the human content of objects in an interplay between filmmaker, mother and the elasticity of time.

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