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Makbetamaximus: Theater of Destruction poster

Makbetamaximus: Theater of Destruction

Film202480 min

Directed by Khavn

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“Double, double, toil and trouble,” indeed! Shakespeare’s punchiest tragedy gets a makeover in a way that only the prodigious Filipino multi-hyphenate Khavn De La Cruz could deliver. Unfolding in the Municipality of Marcos, Ilocos Norte and Khavn’s own Burroughsian Interzone of Mondomanila – also the title of the director’s crazed horror-comedy-crime drama, which premiered at IFFR 2012 – this mash-up of styles, genres, moods and atmospheres features a cast of over 100 performers and defies any easy description, even with so familiar a text. But as Khavn says of his source material, "Usually, word is king. Here, text is just one of the many cogs. It’s a column, a roof shingle, an ornament."Read moreLess

“Double, double, toil and trouble,” indeed! Shakespeare’s punchiest tragedy gets a makeover in a way that only the prodigious Filipino multi-hyphenate Khavn De La Cruz could deliver. Unfolding in the Municipality of Marcos, Ilocos Norte and Khavn’s own Burroughsian Interzone of Mondomanila – also the title of the director’s crazed horror-comedy-crime drama, which premiered at IFFR 2012 – this mash-up of styles, genres, moods and atmospheres features a cast of over 100 performers and defies any easy description, even with so familiar a text. But as Khavn says of his source material, "Usually, word is king. Here, text is just one of the many cogs. It’s a column, a roof shingle, an ornament."

The story

“Double, double, toil and trouble,” indeed! Shakespeare’s punchiest tragedy gets a makeover in a way that only the prodigious Filipino multi-hyphenate Khavn De La Cruz could deliver. Unfolding in the Municipality of Marcos, Ilocos Norte and Khavn’s own Burroughsian Interzone of Mondomanila – also the title of the director’s crazed horror-comedy-crime drama, which premiered at IFFR 2012 – this mash-up of styles, genres, moods and atmospheres features a cast of over 100 performers and defies any easy description, even with so familiar a text. But as Khavn says of his source material, "Usually, word is king. Here, text is just one of the many cogs. It’s a column, a roof shingle, an ornament."

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Director
Khavn