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If any cinematographic experience belongs from beginning to end to spectrality (Derrida), in “Kubrick” the relationship between cinema and ghostliness is explicitly evident. Through a performative spell, the projected light frees the images from the proper territory of the specter (neither alive nor dead), giving them life, or, which is the same thing, giving them death.Read moreLess
If any cinematographic experience belongs from beginning to end to spectrality (Derrida), in “Kubrick” the relationship between cinema and ghostliness is explicitly evident. Through a performative spell, the projected light frees the images from the proper territory of the specter (neither alive nor dead), giving them life, or, which is the same thing, giving them death.
The story
If any cinematographic experience belongs from beginning to end to spectrality (Derrida), in “Kubrick” the relationship between cinema and ghostliness is explicitly evident. Through a performative spell, the projected light frees the images from the proper territory of the specter (neither alive nor dead), giving them life, or, which is the same thing, giving them death.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Chus Domínguez
- Editor
- Chus Domínguez