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Through an experimental method of spectating the spectator, the audience watches two young people who are sitting and watching a projection of photographs of public spaces, in moments when these spaces are empty or abandoned, when they can become intimate, followed by a voiceover of two older people reminiscing of topics of alienation and transience of belonging, of taken or borrowed, of given or landed, of personal experience in a world where a complete affiliation never truly exists.Read moreLess
Through an experimental method of spectating the spectator, the audience watches two young people who are sitting and watching a projection of photographs of public spaces, in moments when these spaces are empty or abandoned, when they can become intimate, followed by a voiceover of two older people reminiscing of topics of alienation and transience of belonging, of taken or borrowed, of given or landed, of personal experience in a world where a complete affiliation never truly exists.
The story
Through an experimental method of spectating the spectator, the audience watches two young people who are sitting and watching a projection of photographs of public spaces, in moments when these spaces are empty or abandoned, when they can become intimate, followed by a voiceover of two older people reminiscing of topics of alienation and transience of belonging, of taken or borrowed, of given or landed, of personal experience in a world where a complete affiliation never truly exists.
Cast & crew
Explore the crew
- Director
- Mina Simendić
- Writer
- Mina Simendić
- Producer
- Mina Simendić
- Editor
- Mina Simendić