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Italian Dreams poster

Italian Dreams

Film10 min

Directed by Carrie Mae Weems

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In one scene in Italian Dreams, we see a close-cropped view of Weems’s face juxtaposed with the visages of two young black women. She caresses their faces gently; a haunting melodic sound track plays. In another sequence, Weems— again dressed in black, but now in combat boots—walks through Rome’s Cinecittà. There, she meets a white man wearing a suit. He talks; she listens closely, then enfolds him in an embrace and engages in a slow, semi-erotic grind. But he is dull and stiff in her arms. It is clear Weems holds the power in this exchange; she shifts the paradigm of the seducer from male to female. From this scene she moves on, ascending staircases and wandering through corridors.Read moreLess

In one scene in Italian Dreams, we see a close-cropped view of Weems’s face juxtaposed with the visages of two young black women. She caresses their faces gently; a haunting melodic sound track plays. In another sequence, Weems— again dressed in black, but now in combat boots—walks through Rome’s Cinecittà. There, she meets a white man wearing a suit. He talks; she listens closely, then enfolds him in an embrace and engages in a slow, semi-erotic grind. But he is dull and stiff in her arms. It is clear Weems holds the power in this exchange; she shifts the paradigm of the seducer from male to female. From this scene she moves on, ascending staircases and wandering through corridors.

The story

In one scene in Italian Dreams, we see a close-cropped view of Weems’s face juxtaposed with the visages of two young black women. She caresses their faces gently; a haunting melodic sound track plays. In another sequence, Weems— again dressed in black, but now in combat boots—walks through Rome’s Cinecittà. There, she meets a white man wearing a suit. He talks; she listens closely, then enfolds him in an embrace and engages in a slow, semi-erotic grind. But he is dull and stiff in her arms. It is clear Weems holds the power in this exchange; she shifts the paradigm of the seducer from male to female. From this scene she moves on, ascending staircases and wandering through corridors.

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