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When she made her first film in 1960, Vlasta Lah was the only woman to direct a sound feature film in Argentina. Her path was arduous and long: from her childhood in a country torn apart by war to her training at the Centro Sperimentale di Cinematografia in Rome, to her arrival in Argentina fleeing another war, where she became the most important assistant director at Estudios San Miguel. Through her personal correspondence and a meticulous investigation, her name will be rescued from oblivion.Read moreLess
When she made her first film in 1960, Vlasta Lah was the only woman to direct a sound feature film in Argentina. Her path was arduous and long: from her childhood in a country torn apart by war to her training at the Centro Sperimentale di Cinematografia in Rome, to her arrival in Argentina fleeing another war, where she became the most important assistant director at Estudios San Miguel. Through her personal correspondence and a meticulous investigation, her name will be rescued from oblivion.
The story
When she made her first film in 1960, Vlasta Lah was the only woman to direct a sound feature film in Argentina. Her path was arduous and long: from her childhood in a country torn apart by war to her training at the Centro Sperimentale di Cinematografia in Rome, to her arrival in Argentina fleeing another war, where she became the most important assistant director at Estudios San Miguel. Through her personal correspondence and a meticulous investigation, her name will be rescued from oblivion.
Cast & crew
Tino PereiraTino Pereira
Candela VeyCandela Vey
Fernando Martín PeñaFernando Martín Peña
José A. Martínez SuárezJosé Martínez Suárez
Alejandro OjedaAlejandro Ojeda
Paula Félix-DidierPaula Félix-Didier
Vlasta LahElla misma (material de archivo)
Catrano CatraniÉl mismo (material de archivo)Explore the crew
- Director
- Candela Vey
- Writer
- Candela Vey
- Writer
- Tino Pereira
- Director of Photography
- Federico Marión
- Director
- Tino Pereira
- Editor
- Camila Sassi