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ROSA ROT gives two frameworks and two points of view: the abstract one, of a free inner thought as manifested by the visual immersion in a piece of landscape subject to constant change, striated by gales mingled with the incessant fall of thick snowflakes - and that, concrete, wider and distanced but in the same axis of this landscape crossed by the fixed frame of a window, which brings us back to a state of physical confinement while reading Rosa Luxemburg's letter from prison gives further evidence. As proof that no prison hinders freedom of thought.Read moreLess
ROSA ROT gives two frameworks and two points of view: the abstract one, of a free inner thought as manifested by the visual immersion in a piece of landscape subject to constant change, striated by gales mingled with the incessant fall of thick snowflakes - and that, concrete, wider and distanced but in the same axis of this landscape crossed by the fixed frame of a window, which brings us back to a state of physical confinement while reading Rosa Luxemburg's letter from prison gives further evidence. As proof that no prison hinders freedom of thought.
The story
ROSA ROT gives two frameworks and two points of view: the abstract one, of a free inner thought as manifested by the visual immersion in a piece of landscape subject to constant change, striated by gales mingled with the incessant fall of thick snowflakes - and that, concrete, wider and distanced but in the same axis of this landscape crossed by the fixed frame of a window, which brings us back to a state of physical confinement while reading Rosa Luxemburg's letter from prison gives further evidence. As proof that no prison hinders freedom of thought.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Gisèle Rapp-Meichler