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frame

Film20025 min

Directed by Annja Krautgasser

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The beginning of frame is similar to a drive through the city: "Let´s go for a ride," high energy. The camera pans swiftly from left to right, looking at what´s going on. The beat sets the tempo. The car´s put into gear: Take-off. The story plays out in the viewers´ head rather than in front of their eyes. [n:ja] shows nothing more than pure motion along spatial coordinates which is driven by Radian´s pulsing soundtrack. So much "reality" – in other words details, color and representation – has been removed from the original views of this ride that solely remnants and a basic structure comprise the video image. In the first "shot" we seem to recognize passers-by hurrying in different directions. The point-of-view moves in the opposite direction, following individuals until two parallel lines running from left to right enter the frame as a graphic element, seeming to set our eyes on a rail.Read moreLess

The beginning of frame is similar to a drive through the city: "Let´s go for a ride," high energy. The camera pans swiftly from left to right, looking at what´s going on. The beat sets the tempo. The car´s put into gear: Take-off. The story plays out in the viewers´ head rather than in front of their eyes. [n:ja] shows nothing more than pure motion along spatial coordinates which is driven by Radian´s pulsing soundtrack. So much "reality" – in other words details, color and representation – has been removed from the original views of this ride that solely remnants and a basic structure comprise the video image. In the first "shot" we seem to recognize passers-by hurrying in different directions. The point-of-view moves in the opposite direction, following individuals until two parallel lines running from left to right enter the frame as a graphic element, seeming to set our eyes on a rail.

The story

The beginning of frame is similar to a drive through the city: "Let´s go for a ride," high energy. The camera pans swiftly from left to right, looking at what´s going on. The beat sets the tempo. The car´s put into gear: Take-off. The story plays out in the viewers´ head rather than in front of their eyes. [n:ja] shows nothing more than pure motion along spatial coordinates which is driven by Radian´s pulsing soundtrack. So much "reality" – in other words details, color and representation – has been removed from the original views of this ride that solely remnants and a basic structure comprise the video image. In the first "shot" we seem to recognize passers-by hurrying in different directions. The point-of-view moves in the opposite direction, following individuals until two parallel lines running from left to right enter the frame as a graphic element, seeming to set our eyes on a rail.

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