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Finch College Project, 1969, by Robert Morris is an installation which consists of a film projected in the same site where it was created. It is a significant precursor to the immersive video installations that gained prominence as a medium for avant-garde art during the 1970s. This project constitutes a continuation of Morris’s earlier interest in installations that produce a total environment, as in his 1961 work, Untitled (Passageway). In 2001, the Whitney Museum of American Art included Finch College Project in the exhibition Into the Light: The Projected Image in American Art 1964–1977, placing this piece in conversation with similar moving-image installations created by artists such as Vito Acconci, Simone Forti, Dan Graham, and Joan Jonas.Read moreLess
Finch College Project, 1969, by Robert Morris is an installation which consists of a film projected in the same site where it was created. It is a significant precursor to the immersive video installations that gained prominence as a medium for avant-garde art during the 1970s. This project constitutes a continuation of Morris’s earlier interest in installations that produce a total environment, as in his 1961 work, Untitled (Passageway). In 2001, the Whitney Museum of American Art included Finch College Project in the exhibition Into the Light: The Projected Image in American Art 1964–1977, placing this piece in conversation with similar moving-image installations created by artists such as Vito Acconci, Simone Forti, Dan Graham, and Joan Jonas.
The story
Finch College Project, 1969, by Robert Morris is an installation which consists of a film projected in the same site where it was created. It is a significant precursor to the immersive video installations that gained prominence as a medium for avant-garde art during the 1970s. This project constitutes a continuation of Morris’s earlier interest in installations that produce a total environment, as in his 1961 work, Untitled (Passageway). In 2001, the Whitney Museum of American Art included Finch College Project in the exhibition Into the Light: The Projected Image in American Art 1964–1977, placing this piece in conversation with similar moving-image installations created by artists such as Vito Acconci, Simone Forti, Dan Graham, and Joan Jonas.
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- Director
- Robert Morris